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Liam's write-only LJ Below are 10 entries, after skipping 10 most recent ones in the "Liam Proven" journal:

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September 1st, 2015
10:38 pm


Guča trumpet festival (#projectBrno interlude)
(This is by nature of both a brief interlude from the account of the Bosnian trip, which I'll get back to Real Soon Now, I promise, and indeed of the #projectBrno posts in general.)

One of innumerable small cultural differences I've noticed in the Slavic world is musical. All the same kind of stuff is popular here, from Tchaikovsky to Taylor Swift. I've heard metal, deep house, country & western, Richard Cheese -- you name it. (Not much goth and bleep, alas -- I think that's more a thing of the German sprachbund.)

But there's another, less familiar kind that enjoys wide popularity: Balkan dance music. I'd never really heard it before. The only thing I'd heard before that it resembles is Klezmer. Think of a fast, bouncing rhythm, minimal drums - bass, a snare, a cymbal. Maybe some accordion or fiddle, but lots of brass. And I do mean lots. Trumpet, tuba, anything staccato -- so not much trombone, which I presume is just too slow. It's leagues away from the sort of Bavarian oompah-band stuff you might think of as continental brass band music. This is frenetic, jazzy, with high twiddly trumpet or cornet playing in the lead.

It's more versatile than you might think, too. I hear covers of western pop, I hear occasional Mariachi-band-type stuff, I hear snatches of classical and traditional ballroom-dance; anything goes.

There were DJs playing an entire evening of this stuff in Kraków last New Year's Eve. Sorry, "Sylvester" - that's what NYE is called here. (That was confusing.) I've also been -- albeit a tad reluctantly -- to a club night of it in Brno.

It really was not my thing. Some of the recognisable covers were fun, but mostly, it was noisy, frantic, samey and repetitive and overall just annoying. Whole evenings of it got old very quickly.

But the local kids love it. Actually, not just the kids. It induces foot-tapping from seven to seventy. It gets nightclub and festival crowds dancing just as effectively as commercial pop hits do, here as everywhere else. But you'll also hear Balkan tunes drifting from cars and bars and homes and picnics on the many hot sunny summer days.

Here in Central Europe, it's exotic, foreign and a bit kitsch. Not so down in the actual Balkans.
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Current Location: Addiscombe
Current Mood: Frazzled
Current Music: Tinnitus
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August 1st, 2015
06:51 pm


A holiday in Cambodia, no, the other one, Bosnia (part 1) [travel blog post]
I've been living in Central Europe for nearly a year and a half now. It was time I explored a little more of it than my immediately-neighbouring cities. So, with mild trepidation, I laid down just under 10,000 Czech crowns for a week and a half's trip to Bosnia and Herzegovina in the spring.

It was with a local firm, Kudrna. (That's a lot more pronounceable to Czechs.) They apparently do mainly outdoors, activity-type holidays, not something I've done a lot of myself. They are also mainly used to coping with Czech customers -- little of their website, literature or materials is in English. I and my three friends -- one American, one Pole and one Lithuanian -- are apparently the largest group of foreigners they've ever had on one trip.

The price worked out at about £250 -- pretty good for an all-in ten-day trip including travel and hotels. For some of the locals along for the ride, though, this was a big expense, and the company knew it. There was a lot of packed food and little notes in the guides saying things akin to "yes, it's OK to bring your own food into the hotel restaurant, you don't have to buy anything."

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June 15th, 2015
01:56 pm


A brief word on Czech beer (mini-post in #projectBrno)
Czech lager has been a revelation for me.

I've never been much of a lager drinker. I used to prefer chewy brown beer with twigs in.

But the real local thing is stunningly different from the exported stuff. Actual Pilsner (it's a brand here, not a style), well-kept, is rich and delicious with a creamy amber head and a dark golden-brown colour.

Local microbrewed lagers are revelations of flavour.

Even the mass-produced cheap low-quality draught crap -- Starobrno, now owned by Heineken and derided by all except the determined price-sensitive piss-heads -- is better than any name-brand British lager I have ever sampled. It's the worst beer in the country (except for the super-weak, ~4%, 50p-a-bottle supermarket value stuff) and it's still a quality premium lager.

Actual Czech Staropramen is also good and highly drinkable. Budvar is about the only one whose exported form even resembles the domestic stuff -- it's not highly-regarded here, but it's probably the best name-brand lager in the UK.

The overlap is so small it's shocking. The Czechs gave the world its favourite beer style, but the rest of the world gets a weak tasteless version lacking all character and interest.

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June 13th, 2015
11:01 pm


Donner und blitzen
I went swimming to escape the 30º heat this afternoon. The outdoor pool at my local place, on top of the hill at Kravi Hora, was closed, for some reason.

During my refreshing indoor dip, through the huge floor-to-roof windows, I watched a huge thunderstorm roll over the city from the west.

Unfortunately, this meant that the pool closed a little early and my friends and I were ejected into the torrent in our summer clothes.

We scuttled into a nearby vaguely Tex-Mex steakhouse for food and shelter. Not what we planned, but it wasn't bad at all.

When we emerged, the storm had abated, so I put my friends on the tram and walked home to change into drier clothes. I went upstairs barefoot -- the cool of the tiled floors is pleasant in this heat. I went into my room in the dark, preserving a bit of night vision,  to see if from my north-facing window I could see the huge firework display planned for tonight at the dam. I knew it was happening, weather notwithstanding, because of the sounds. Either that or Vladimir Putin has taken Slovakia and started the invasion.

No joy. I could hear them but not see them.

So I put the light on.

The storm had one effect. It had knocked the open pot of stationery supplues on my window-ledge onto the floor, which was almost completely covered in large and small drawing pins.

And somehow, in the dark, I missed them all.

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March 13th, 2015
08:20 pm


This is not the best novelist in the world. This is just a tribute.
A long time ago, a man decided to take a chance and moved abroad for a new job.

Not me, although I did that too, last year.

No, this was my dad, Ian Proven, in about 1972 or so. He went to Lagos in Nigeria to take over Pilkington Glass (Nigeria) Ltd. It went very well -- he diversified from plate glass into glass fibre, ideal for boat hulls in the tropics, both because it doesn't rot and because it can easily be made and repaired by unskilled people, even illiterate ones, working from purely pictorial instructions. But the stress destroyed his fragile health, and in about 1976 we came back to Britain.

He recovered, and in 1977 or so, we went back, this time to work for a different company, Leventis. This is a Lebanese Cypriot-owned chain of supermarkets in West Africa, who decided to get into glass bottle making. (Soft drinks are a very big seller in the tropics.) My dad was about the 8th general manager they hired. He went out to a large hole in the ground, and when we left in about 1980, Delta Glass' plant was producing a million bottles a week. I still have a few.

But this job was far upcountry, in Bendel State, deep in the Niger Delta. Initially we lived in a small town called Warri-Effurun, at first in the Gardenia Hotel and later in a chalet in Chief Essiso's compound. Then we moved closer to the factory, to the village of Ughelli. I think we were the first white people ever to live there -- we caused a lot of interest and attention.

But it meant that I was something of a lonely child, studying at home by correspondence course, socialising almost entirely with adults. My dad had already got me reading SF, giving me his old Heinleins and Asimovs and Van Vogts. Indeed I already disdained fantasy; one of my set books from Mercer's College was The Hobbit and I remember exclaiming in horror at having to read a book with a dragon on the cover.

But SF, I devoured, in great quantities. An adult novel every couple of days, at least. Anything I could get. Everything SF&F in the Warri Club's tiny library, including lots I really disliked -- Philip K Dick, Barry Malzberg, Brian Stableford (in his enfant terrible years -- the later stuff is wonderful).

But I also bought a lot, or got my mum to. Anything SFnal that appeared in the supermarkets we went to in Warri -- Kingsway and Alex, mainly. And in the book rack in Alex one day, I found something that looked very promising. A slender NEL paperback with a beautiful Tim White cover of a robot fly, resting on a leaf.

It was called The Dark Side of the Sun by a new writer called Terry Pratchett, and it was -- and is -- one of the best books I have ever read. In parts it's an hommage to Larry Niven, but it's so packed full of references to everything from Aristophanes to Heinlein that it's a joy to try to unpack.

I loved it. I still love it.

I had it stolen once, but as it happened, I got it back again.

A couple of years later, the Proven family returned to UK, and shortly afterwards, to the Isle of Man. There, in another book rack in another supermarket, Shoprite on Victoria Road, Douglas, I found another Pratchett: Strata. This is the novel where Pratchett invents his flat alternate Earth, a world the shape of a disc, populated by a vaguely Mediæval culture with magic, demons etc. -- but all powered by technology. Demons fly because they're constantly teleported back to base and then back out again, this time slightly higher in the air, because there's no such thing as antigravity and a humanoid with wings can't fly in 1G.

Again, a wonderful book. Any sufficiently advanced technology can be made to look indistinguishable from magic if you try hard enough. This book also spells out panspermia, has one of the best depictions of large-scale terraforming ever and works in some great conspiracy-theory gags too.

I wrote to NEL and asked if they'd got any more by this fabulous writer (and also if they'd got any stuff for a school project on SF that I was doing). An actual paper letter -- this was the early 1980s. They wrote back. They said, in essence, "sorry, no -- and those two did so badly, we'll never touch him again. But, if you're really keen, he did a kids' book which was not our sort of thing. It never made it out of hardback. We believe his publisher has rather a lot of them left. Here's his address. Ask him."

So I did.

A year or two later, when I was off at university, in my second year and living in digs in Virginia Water, I got a phone call from a chap with an immensely rich, plummy, posh English voice.

"Hullo! Are you Liam Proven? You wrote me a lovely little letter about books by this Terry Pratchett chap! Yes, I have hundreds of the bloody things -- office is full of boxes of 'em. Can't give 'em away! How many d'you want?"

It was Colin Smythe -- a charming chap I met at the launch party for Hogfather, the twentieth Discworld book, a decade or so later.

And that is how I came by my third -- but oldest -- Terry Pratchett novel. This copy here, scanned the day I rediscovered it:


It is now, of course, far and away the most valuable book I own or have ever owned. Rare unsigned copy, too. And I do mean rare.

Before it got to me, The Colour of Magic launched -- from Corgi this time -- and the rest is history. A few years later, I was at ConFiction in the Hague. Pterry was on a panel about clichés. I think Sourcery had just come out in paperback. People in the business were starting to really notice him. He was introduced as "Terry Pratchett, a man who should know all about clichés because that's all he writes!" Pratchett visibily ground his teeth, but as ever, gave a good show.

So, yes, dammit, I was a Pratchett fan, and one long before all these damned kids and their Discworld stuff. (Much as I love the Discworld novels.)  But I wonder how many others of us are there who were Pratchett fans from before the Discworld? Of his original, early SF stuff.

Goodbye, Sir Terry.

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March 7th, 2015
10:32 pm


The cult of Vladimir Vladimirovich -- #projectBrno blog post, kinda
Over here in Central Europe, very close to Eastern Europe, the activities of Влади́мир Влади́мирович Пу́тин, President of Russia, are a topic of considerable and continuing interest. I have a few Russian friends in Brno, who like it for its freer, more relaxed, dare I even say Bohemian lifestyle compared to The Motherland.

But what I hear is that back home, Putin is a hero, loved by many. His régime's tight control of the media means that his spindoctors can portray him as a hero, a strong, powerful, dynamic leader, cleaning up Russia's corruption and organised crime and making it strong again, in contrast with the collapsing decadent West, weak and riddled with sexual perversions. Democracy, for example -- who needs it?

Apparently, many people really do love him. Some literally worship him. And one place this shows through in fairly accessible form is, unexpectedly, pop music. There's a growing trend of songs literally idolising him... and often they're provided with subtitles by the fans, helping to spread the word. (English is the lingua franca of Eastern Europe now -- only oldsters speak Russian. Anyone under 35 or so is likely to speak English if they have a 2nd language.)

Here are a few examples. They're worryingly catchy, too. And no, to the best of my knowledge, they are not parodies, jokes or anything else -- they're serious.

Those of you far away from the Slavic world may not quite understand how much concern these cause to those of us rather closer to the resurgent Russian empire and its new czar...

My Putin

(I want) One Like Putin

... and here's One Like Putin in English, with French subtitles

Go Hard Like Vladimir Putin (English-language rap by 2 young Africans from Moscow)

VVP Putin Saved the Country (English subtitles)

Happy joy-filled racially-pure Russian children sing "Happy Birthday, President of Russia" (subtitles, lyrics in description)

And finally... Vladimir Putin has done it! (Or possibly VP's achievements). No subtitles, so practice your Russian comprehension. You might be needing it soon...

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February 21st, 2015
06:41 pm


/Heaven's Shadow/ -- Cassutt & Goyer. Please do not read this book. This is why.
Heaven&apos;s Shadow (Heaven&apos;s Shadow, #1)Heaven's Shadow by David S. Goyer

My rating: 1 of 5 stars

Awful tedious crap.

Biggest pile of it I've read in years, in fact. Stale, derivative (worse, /knowingly/ so), with poorly-thought-out error-ridden tech (such as dial-up internet access from Antarctica) mixed with indifferently-executed Sufficiently Advanced™ alien tech: a big dumb object that they /call/ a BDO in the most crashingly-awkward move since Avatar's "unobtainium" which, it emerges, isn't dumb & which resurrects the dead as a (very poor) communications medium.

There's a mix of mysticism, cod-science, borrowed bits & bobs of tech, setting, plot & I lost count of what else. The characters are all cardboard-cutouts, populated with the same crass tokenism -- teen girl, wheelchair dude, jock space pilot, heroic mom, etc. -- as Glee. And the authors know it and think it's fun -- one character is consistently referred to as The World's Greatest Astronaut, for instance, with regular comments about his good looks.

The description is breathless, slow-paced and reads like a novelization of bad TV skiffy. It's about as coherent as Heroes was. Yes, that bad.

The authors have borrowed enough description of Space Stuff to do what they think is convincing detail. It bears as much resemblance to spaceflight as CSI does to actual police work. It's the wretched tissue-thin veneer of shininess that dominates modern Hollywood.

Please do not read this book. Do not buy it even as gift; you'll encourage 2 talentless hacks that should have stayed in the mindless media industry. I am tempted to give my copy away, as it was given to me, but then someone else might read it. Worse still, they might read it and think that SF should be like this.

Awful, terrible, trite, glib, kitsch, crappy, shallow, dull, uninsightful, clichéd, hackneyed shite. Really very bad indeed. Don't know why I finished it. A crashingly bad, stupid, shallow pastiche of /Rendezvous with Rama/ lacking any intelligence or thought, but slathered with sickening sentiment and seasoned with cryptoreligious schmaltz.

It's a crime that hacks this talentless can get writing work. Stick to doing scripts, guys. I already know better than to watch the kind of crap your studios put out.

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January 24th, 2015
03:38 pm


A digression: Consciousness. There is no Hard Problem, only wooly thinking.
I'd like to posit a progression of animal awareness. (In the full knowledge that there is no "tree" or "hierarchy" of evolution; the progression is merely a convenient way of presenting some data.)

1. Single-celled animals, such as amoebae and /Paramecium/. Many of these display simple taxic responses: they move towards light, away from heat, and towards or away from certain chemicals - they pursue concentration gradients. In other words, a single cell can display what could be called "voluntary" movement; it does not follow programmed paths but responds to its environment. You can watch a Paramecium in a microscope, swimming through a world of bits of plant and mineral matter in water. If they bumble into something, they recoil, and set off in another direction. If they catch a scent of something that might be food, they change direction and set off in pursuit of it. It's much like watching a much bigger animal, like a mouse, explore an unfamiliar environment. Surprisingly like.

Similar behaviours can be observed in all sorts of small animals, like collembolans and nematodes.

Small animals - even single-celled ones - interact with their environment, responding to stimuli in ways that are more than a simple, determinate pattern. They are not like a clockwork mouse or toy that always follows the same path.
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December 22nd, 2014
01:08 pm


A small Czech oddity. #projectBrno
Czech seasonal greetings are quite a mixed bag, and some are... challenging.

But I have noticed a short phrase used widely, even as an abbreviation: PF, standing for "pour féliciter". It's a French phrase and it means, roughly, "for congratulating" -- it originally referred to greetings cards, as in, it's something you'd use to describe them, rather than something you'd put on them.

It's quite ubiquitous as an abbreviation, but I only found out what it stood for today.

It's... odd.

More conventionally, "Veselé Vánoce" is "happy Christmas". Vesela means happy (it's declined in this form, don't ask me how) and "Vanoce" is a corruption of the German "Weihnachten".

"Happy new year" is the significantly more challenging "Veselé Vánoce a šťastný Nový rok!" Even after 6 months of practice, the few unfortunate victims at whom I have essayed this phrase have given me a sort of pitying look and told me that I was almost right. I fear I suffer a sort of pile-up of diacritical marks on "šťastný" and my speech centres faceplant.

So, hey, given that, I might just stick with "pour féliciter"...

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October 24th, 2014
07:04 pm


"You've gotta ask yourself one question: 'Do I feel lucky?' Well, do ya, pedestrian?" #projectBrno
Pedestrian crossings. You'd think you know where you were with a pedestrian crossing, wouldn't you? Green is good, you're safe to cross. Right of way and all that.

But not here. Oh no.
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Current Location: Holandská, Brno
Current Mood: tiredtired
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